Tonight on the GeekNights Book Club, we discuss Frank Herbert's classic Dune. Love it or hate it, it is a formative part of the wider world of speculative fiction, and its influences are vast. In finally reading it, we have a greater understanding of its place in modern literature.
In the inaugural GeekNights Politics Club episode, with guests Andrew and the other Scott, we discuss Richard J. Evans' The Coming of the Third Reich.
" There is no story in twentieth-century history more important to understand than Hitler’s rise to power and the collapse of civilization in Nazi Germany. With The Coming of the Third Reich , Richard Evans, one of the world’s most distinguished historians, has written the definitive account for our time. A masterful synthesis of a vast body of scholarly work integrated with important new research and interpretations."
This is part one, as we segue into contemporary politics in a part two that is forthcoming.
Tonight on the GeekNights Book Club, we review and discuss (with spoilers, obviously), Margaret Atwood's Oryx and Crake. We enjoyed it thoroughly, and had a lot to say. Gene-fueled science fiction dystopia, too-real commercialization of life itself, and a short read to boot, we had no choice but to make this - the first of the MaddAddam Trilogy) our GeekNights Book Club choice.
Tonight on the GeekNights Book Club we discuss the first book in Robert Jordan's famous epic fantasy series "The Wheel of Time" entitled "The Eye of the World." There is no news in this episode since we pushed it out in a hurry before Rym went on a business trip.
Tonight on the GeekNights Book Club, we review (spoilers) Hugh Howey's Wool. It was a solid book (or set of five short books, which are really just two short books and one longer book). Mixes of Paranoia (the RPG), Logan's Run, Fallout, and other similar stories, it had a lot more nuance than we expected. Definitely worth reading.
Tonight on the GeekNights Book Club, we discuss William Gibson's Idoru. It's a product of its time - the 1990s - showcasing both the promise and the dystopia projected from that era. Wildly inconsistent in its treatment of technology (fax machines, disposable cameras, and IR remote controls exist alongside city-building nanotechnology and true AI), steeped in the cyberpunk aesthetic, it is typical of Gibson and of its era. If we had to say what it's truly about, it's fame, information, and adolescence. The Idol herself, as AI, is not the core of this book: don't read it expecting to be blown away with a deep look at at the Sharon Apple story. The side details, the setting, the meta, are what make this book worthwhile.